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pwsull
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And What Exactly Does All That Shakespeare in V Mean?


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And now my scholarly compatriots (and while all contributors are welcome this may particularly interest ButMad NNW, Leda, CyranoRocks, Willow, NickyTea, & MelindaK), I would suggest a thread elucidating V's Shakespeare quotations for the Elizabethan/Jacobean literature deficients amongst us (and that includes myself).

I have always enjoyed The Bard's plays, but only as an audience member and rarely as a scholar. I am thus often frustrated in my attempts to decipher the overt, covert, metaphorical, cultural and literary meanings of his words, and would enjoy an analysis of the WS quotations V spouts with such style, and loaded meaning. I am no expert on WS, only having enjoyed his work, rather than studying it as ButMad and others at LOTSG have. But there are a couple of things I know which may help. WS wrote in early modern English, a language with some significant differences in vocabulary and syntax from the English we currently speak. Add to that the significant cultural differences between the present and the late 16th and early 17th centuries. Further add Shakespeare's extensive use of puns, and the fact that many of those meanings were unique to that era in history. Further add that the majority of his dialogue is written in non-rhyming verse of Iambic Pentameter (every other syllable stressed and 5 stressed syllables per line). And this is why anyone who is really interested takes a university course on Shakespeare (I never did). (ButMad, please correct any errors I have made).


Alexandra started this off with her " Why is Shakespeare called the Bard?" question on these pages.

Since Guy Fawkes and WS were contemporaries, in 1605 London, V's use of quotations from S's plays would seem to add another dimension to every one of the Bard's lines he utters.

So, I will start with my take on the line from Richard III one of the greatest villains in English Literature. A man who employs self serving manipulation of all around him to achieve power and gain possession of the monarchy (for which he is something like third or fourth in line).

Here is the entire soliloquy:

Richard III, Act I Scene 3
Richard, Duke of Gloucester, the future Richard III:

I do the wrong, and first begin to brawl.
The secret mischiefs that I set abroach
I lay unto the grievous charge of others.
Clarence, who I indeed have cast in darkness,
I do beweep to many simple gulls -
Namely, to Derby, Hastings, Buckingham -
And tell them 'tis the queen and her allies
That stir the king against the duke my brother.
Now they believe it, and withal whet me
To be revenged on Rivers, Dorset, Grey.
But then I sigh, and, with a piece of Scripture,
Tell them that God bids us do good for evil:
And thus I clothe my naked villainy
With odd old ends stol'n forth of holy writ,
And seem a saint, when most I play the devil.


And my interpretation:

In this context “holy writ” is referring to holy scripture. I would presume "old odd ends" refers what we now call "odds and ends", or bits and pieces assembled from another source to make something new. What Richard is saying is that he has twisted the word of God and the church and taken them out of context to mislead others into thinking he is good while actually his intent is totally selfish and evil. The only thing that is missing at the end of his speech is an evil laugh. Now here in our modern day drama V is accusing the Bishop of cloaking himself in the holiness of the church to support and strengthen an evil totalitarian government and his own selfish agenda (including pedophilia). I find it interesting and paradoxical that V himself is up to the same kind of grand manipulations of government and society as Richard III was, albeit with much nobler intent. So perhaps the quote also refers obliquely to himself.

Please...add your own thoughts, and definitely add in V's other quotations from Shakespeare, their original context and meaning and how they fit into the V narative.

To the Globe Theater we go!

P
 emoticon

Last edited by pwsull, 4/1/2007, 11:30 am


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ButMadNNW
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Re: And What Exactly Does All That Shakespeare in V Mean?


Oooh! An excellent thread idea, pwsull! I karma thee. emoticon

quote:

pwsull wrote:

And this is why anyone who is really interested takes a university course on Shakespeare (I never did).

*sigh* I wish more of my Shakespeare classmates had actually had a genuine interest in the Bard - it seemed more likely they were seeking the least of evils that would satisfy a requirement and wanted to do the least amount for the grade. But then, I never did take the Upper Level version of the class, which might have been better - my transcripts say I did, but that was a smoke-and-mirrors routine set up by me, my advisor, and my London Shakespeare teacher to let me get away with essentially taking the same class twice.

Your take on Richard, I think, is wonderfully close. However, I think there might be something more to it... or something simpler? Pardon some additional analysis, via "translation."

quote:

I do the wrong, and first begin to brawl.
The secret mischiefs that I set abroach
I lay unto the grievous charge of others.

"In secret, I've begun plots, the blame for which I'm going to lay on others."

quote:

Clarence, who I indeed have cast in darkness,
I do beweep to many simple gulls -
Namely, to Derby, Hastings, Buckingham -
And tell them 'tis the queen and her allies
That stir the king against the duke my brother.

"Yes, I'm the one who's gotten Clarence in trouble, but publicly, I cry for his fate to certain, impressionable men. I blame Clarence's situation on the queen and her friends, saying that she is the one who has gotten the king to act against him."

quote:

Now they believe it, and withal whet me
To be revenged on Rivers, Dorset, Grey.

"And the idiots believe me! They coax me to take action against the queen's friends in response to what they've done to my brother."

quote:

But then I sigh, and, with a piece of Scripture,
Tell them that God bids us do good for evil:

(Um... I think...) "I sigh and quote the Bible, that God tells us to forgive them that trespass against us." (or "turn the other cheek," something along those lines)

quote:

And thus I clothe my naked villainy
With odd old ends stol'n forth of holy writ,
And seem a saint, when most I play the devil.

"And so I hide my overt scheming behind Biblical soundbites and seem like a good man when really I'm at my most devious."

In the Richard speech, I'm not sure he's really twisting the scripture. Remember that his schemes largely involved manipulating others into doing his dirty work. He avoided having anything lead back to him. So he acts like he forgives the queen's allies, making himself seem like the good guy and them even more evil in Richard's pawns' eyes. When really, Richard is the one who is the cause of all the trouble.

Even in the scene when he's being encouraged to take the crown, he puts them off and acts humble and pious, making their insistence grow stronger.

As for how that speech relates to V's world... I think you've got it.

The following I'm copying over from the MP3 request thread, because friendlysolarflare asked what the lines meant when I asked for an MP3.

Hamlet, Act III, Scene I
Polonius (King's advisor & Ophelia's father):

Ophelia, walk you here.- Gracious, so please you,
We will bestow ourselves.- [To Ophelia] Read on this book,
That show of such an exercise may colour
Your loneliness.- We are oft to blame in this,
'Tis too much prov'd, that with devotion's visage
And pious action we do sugar o'er
The Devil himself.


quote:

ButMadNNW wrote (in the MP3 request thread):

Basically, my reading of it is something along the lines of "It is seen too often that we commit horrors, but make them okay because they were performed in the name of our religion (or by upstanding, religious people)." In the original context of Hamlet, Polonius has just asked his daughter, Ophelia, to "walk [here in the hall]... [and] read on this book, that show of such an exercise may color your loneliness." It's pretty likely that the book he gave her was some religious text, and he asks her to make a show of reading it, to indicate to Hamlet when he arrives that she is alone in the room. Meanwhile, Polonius and Claudius hide themselves to spy on the young couple. So, the line that V quotes is Polonius acknowledging that he is asking Ophelia to hide the spying by acting pious.

...

The V context is also interesting: V quotes the line after Willy cries out, "Christ, have mercy!" Considering what he'd just been up to, Willy using a religious exclamation makes V's Hamlet quote very appropriate. emoticon Which is just one more thing to love about him - quoting Shakespeare is one thing, but coming up with a line on the spot that's apropos to the real world situation? That takes talent.

V quoting that line is also what really grabbed my attention the first time I saw the movie. "Hey, he quoted Hamlet! And not some easily recognized, overused line, but something kind of obscure! This is an awesome character!" emoticon

Last edited by ButMadNNW, 6/6/2006, 10:44 am


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alexandra123
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Re: And What Exactly Does All That Shakespeare in V Mean?


first of all YAY emoticon a shakespeare quotes/meanings thread!!!!
pwsull emoticon thank you so much for starting this! I was actually thinking of doing that myself, having difficultites with some other quotes in the movie, and i got home, logged on and you already begun one thanks a lot!! emoticon
And since we're at it, thank you so much for your explanation!!! You were right, reading richard's whole speech did make it easier to understand its full meaning (i still needed your explanation though!!)

quote:

I find it interesting and paradoxical that V himself is up to the same kind of grand manipulations of government and society as Richard III was, albeit with much nobler intent. So perhaps the quote also refers obliquely to himself.


Oh yes emoticon Well spotted!

ButMad, thank you for your additions!
quote:

I wish more of my Shakespeare classmates had actually had a genuine interest in the Bard - it seemed more likely they were seeking the least of evils


I know what you mean, where i live, we're filled with sociologists and psycologists and anthropologists, people who care nothing about the degree they had but only had them to have a university degree while escaping mathematics... emoticon

quote:

We are oft to blame in this,
'Tis too much prov'd, that with devotion's visage
And pious action we do sugar o'er
The Devil himself.
quote:


my reading of it is something along the lines of "It is seen too often that we commit horrors, but make them okay because they were performed in the name of our religion (or by upstanding, religious people)."




Oh!!! So that's what that means!! That one i thought it was something like some times when we try to do our best deeds, we often end up inadvertedly doing bad things, like meaning good, but the result being bad! Like when a mother spoils her son too much believing that way he will feel more loved but he just becomes tyranical and spoiled and essencially a bad person.

Now, the quote from Twelfth Night when they dance, "Conceal me what I am, and be my aid / For such disguise as haply shall become / The form of my intent."
Grasping the overall meaning of this is a bit difficult for me... does this mean something like "Hyde my true form, and by hiding it, i may become that which i'm disguised of" ?... How does that apply to that scene (the masks scene of course, not the dance) in the movie? Or it doesn't really apply and he just used it beacuse of the common theme of conceling one's face and playing other roles that aren't quite oneself?
... Maybe the people, by wearing those masks, would become V in the sence that they would give his cause strength and take their fate into their own hands? And thus such disguise should haply become the form of their intent?


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Re: And What Exactly Does All That Shakespeare in V Mean?


Here's the full speech from whence the line comes:

Twelfth Night, or What You Will; Act I, Scene II
VIOLA (upon being cast upon the shores of Illyria, to the Captain and Sailors who have aided her)

There is a fair behaviour in thee, captain;
And though that nature with a beauteous wall
Doth oft close in pollution, yet of thee
I will believe thou hast a mind that suits
With this thy fair and outward character.
I pray thee, and I'll pay thee bounteously,
Conceal me what I am; and be my aid
For such disguise as, haply, shall become
The form of my intent.
I'll serve this duke;
Thou shalt present me as an eunuch to him;
It may be worth thy pains, for I can sing,
And speak to him in many sorts of music,
That will allow me very worth his service.
What else may hap to time I will commit;
Only shape thou silence to my wit.


First note: In Shakespeare's English, "haply" meant "perhaps."

I cannot comment further on this now, so I'll come back to it - unless someone who knows Twelfth Night better than I beats me to it. emoticon However, I don't think you're too far off in your application of the quote to V's world, alexandra.

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ButMad: such a surprise to see you at this party!

Alexandra: Thank you for starting the original Bard thread and then asking me the specific question that led me to start this thread (and sorry if I got the jump on something you already had in mind).

I will leave it to ButMad to parse out the line by line translation of the verse, since she is the expert.

But I will take a crack at the general themes of Viola and 12th Night, and how it relates to V...even though it is not my area of expertise.

My recollection is that 12th Night is one of Will's romantic farces and that Viola and her brother are shipwrecked and presumed dead to each other. Viola has to get a job in the strange land she finds herself in and so disguises herself as a man to get a job as a servant in the local nobleman's home. She spends most of the play in disguise and there are love triangles and multiple instances of her and her brother's identities being mixed up with comic results.

Alexandra wrote:
quote:

does this mean something like "Hyde my true form, and by hiding it, i may become that which i'm disguised of" ?... How does that apply to that scene (the masks scene of course, not the dance) in the movie? Or it doesn't really apply and he just used it beacuse of the common theme of conceling one's face and playing other roles that aren't quite oneself?
... Maybe the people, by wearing those masks, would become V in the sence that they would give his cause strength and take their fate into their own hands? And thus such disguise should haply become the form of their intent?




So Alexandra it would appear to me that you are on the right track with this. Perhaps V is saying that like Viola his disguise is a charade, but not one for fun, rather one with a purpose; and as in 12th Night there will be much deception and confusion followed by a happy ending....although in our case tragically happy (a succesful revolution begun, but V unable to shed his disguise and live happily ever after in romantic bliss with Evey, as Viola and the Duke do in the play).

Oh, and another thought...Viola is a woman masqueradiing as a man... and in the time of Shakespeare, all women's roles were played by men...so a male actor was playing a woman pretending to be a man, which undoubtedly added a whole additional level of comedy to the production...and I will hark back to one of my previous posts on another thread...where V and Evey exchange some male and female characteristics as the story progresses: he becoming softer and more emotional, she becoming hardened and more decisive. And at the end of the GN, after V has died, doesn't Evey actually put on the mask and cloak herself and "become" V, a "masculine" character? In the story, V is clearly an expert on Shakespeare, knowing the plays backward and forward and able to spontaneoausly come up with quotes that are completely apropos to the moment and loaded with both covert and overt meaning. So what is V's intent (and on another level, the film's authors' intent) on all those levels in quoting that line at that moment to Evey?

Just some more of my musings about the sexual role and boundary issues the story raises on a fairly subliminal level. Is the inclusion of the Viola quote meant to steer us in that direction? Even if V is overtly referring to his masked role as the everyman symbol of the coming revolution in that quote, what does it covertly mean when we look at it in the context of the play it comes from?emoticon

And my appologies to those who take offense at my attempts to read too deeply below the surface of the narative and even perhaps (haply) read into or beyond what any of the authors consciously intended.

But Mad....how are we doing? emoticon

Bard On!

P emoticon

Last edited by pwsull, 6/6/2006, 7:55 am


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"Perily, this pichyssoise of perbiage peers most perbose, so let me simply add that it is my very good honor to meet you and you may call me"...... P
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Re: And What Exactly Does All That Shakespeare in V Mean?


quote:

pwsull wrote:

ButMad: such a surprise to see you at this party!

emoticon That's.... sarcasm, right? emoticon

More later.

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Re: And What Exactly Does All That Shakespeare in V Mean?


Sarcasm, yes.

You do usually perk your ears up at any mention of his Bardness. emoticon

And it is absolutely fantastic to have your expertise available on this subject. I for one am one who does not want to miss any of the nuances and meanings of this V story. emoticon emoticon

P emoticon

Last edited by pwsull, 6/6/2006, 7:53 am


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Re: And What Exactly Does All That Shakespeare in V Mean?


oooo! ooo! (jumping up & down) FABulous thread,thank you brilliant vixens!

I love the shimmering resonant poetry of the bard, but am a lazy reader the past few decades. It is so delicious, though, the richness of language and insight found in WS's work, and in its deployment by our beloved silver-tongued devil himself.

"Conceal me what I am; and be my aid
For such disguise as, haply, shall become
The form of my intent. "

This feels to me like it is about becoming the person we really want to be. It's about about transforming ourselves into our finest instrument, and pursuing our purpose with fierce devotion, and becoming worthy of the quest we embark on.

V adopting the mask as his outward self forges a new being out the wreckage of his former self, one who is focused on his goal, his intent.

Is this not "act-as-if" in its most potent application?


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Re: And What Exactly Does All That Shakespeare in V Mean?


MK responds on another thread, to the querie: "what's the latin in your avatar?"

quote:

It's a Shakeapeare reference:

SIR NATHANIEL
Videsne quis venit?

HOLOFERNES
Video, et gaudeo.
(Act V, scene i, LOVE’S LABOURS LOST)

If my slightly rusty Latin still serves me, the interchange translates thus:

"Do you see who's coming/has arrived?"
"I see, and rejoice."




ooo, beautiful.. I am so delighted to have my interest in Shakespeare rekindled. this is delicious. reminds me of the theme song to the film Orlando - Jimmy Somerville's Coming:

I am coming! I am coming!
I am coming through!
Coming across the divide to you

In this moment of unity
feeling an ecstacy
to be here, to be now
At last I am free


the numinous presence, touching us, awakening us.

brrrrrr! (good shivers)

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Re: And What Exactly Does All That Shakespeare in V Mean?


A QUESTION FOR BARD EXPERTS!

Conceal me what I am, (ignorant of the subtleties of the bard!) --I really am challenged by the breakfast scene quote. I dont get what V is trying to say:

Evey: "You stole this from Chancellor Sutler? are you crazy?"

V: "I dare do all that doth become a man. He who does more, is none."

Help, please!


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